Tananai

My first Sanremo working alongside an artist — a full week inside the biggest event in Italian music, responsible for the entire content output: shooting, filming, and documenting everything as it unfolded. The brief covered the whole spectrum of a festival week. The looks and the stage moments, but also the parts nobody sees: hotel rooms, corridors, the long stretches of waiting that make up most of those days. Covering both meant building something closer to a diary than a campaign. It was the project that taught me to work at that pace and with that level of access, and it shaped how I've approached every event since.