Travis Scott

When Sony Music asked me to help kickstart a new editorial magazine with my photography, shooting Travis Scott felt almost unreal. The project came with a clear limitation: I had to shoot from a distance, without the access usually expected for a concert of that scale. Instead of fighting it, I turned that constraint into the visual language of the work. The result became more abstract and atmospheric — built around light, smoke, silhouettes, scale, and movement. Rather than trying to get closer, the images embraced distance as part of the story.